Hotel review

Reviews of The Dylan hotel in Amsterdam

The backstory

The doors evoking Roman antiquity are a curious entrance for a contemporary hotel. They tell stories of his previous life as a theatre, then a Catholic orphanage, a poor house and finally, in 1999, a hotel. These doors were the only part of the building spared following a catastrophic fire in 1772. After opening as Hotel Blakes, it changed its name to The Dylan Amsterdam in 2005 with a modern facelift and a nod. look at history, interpreting Gijsbreght van Aemstel at the hotel. for the first time in 380 years.

The ebony wash on Amsterdam’s remarkable canal houses, painted in glossy lacquer on the window frames and on the wooden beams, quickly became a hallmark of the city. Its original purpose was more utilitarian – a layer of tar to protect the bricks from the weather. The Dylan took on this theme, painting its historic bones in monochromatic strokes, softened with grays and neutrals, sharpened with minimalist furniture and technical touches. The minimalist treatment of this historic building is symptomatic of a typically Northern European talent for turning functionality into aesthetic pleasure, thanks in this case to the Netherlands-based Studio Linse, which designed the Rijksmuseum and restaurant.


While the Dylan’s 40 rooms follow four different themes: the muted hues of Serendipity, the warmer tones of Amber, the more opulent velvets and pearls of Loxura, or the earthy vibe of Loft, a palpable sense of contemporary calm is present. in all. Views vary, with some overlooking the canal through elegant windows, others of the courtyard, and others of the clouds through skylights. Sizes and formats also vary, with modern room dividers, furniture and fittings retracing the quirks of the historic building. Futuristic Illy coffee machines hide in dark mid-century cabinets, antique Chinese furniture sits alongside Japanese-style screens dividing rooms, and bed heaters monitor body temperature throughout the night. Aesop products line the smooth, buttermilk stone of the bathrooms, and the hotel’s refreshing playlist confirms its appeal by the way.

Dylan’s Amber Room

Roel Ruijs

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